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The collection is characterized by an ever-growing technological convergence and interdisciplinary approach: Admission to the exhibitions at JSC Düsseldorf is free of charge. In the age of the digital revolution, http://pethard.info/porno/bondage-illustrato-porno.php first of all noticeably acts at one remove from the original. Destroy, She Said 2007—08was named after a video installation by artist Monica Bonvicini and loosely explored the relationship between interior and exterior, construction and destruction. The collection has found a new home in the former production facilities of the Conzen frame factory. Here, Knight ponders the social and cultural distance the use of screens allows, and how recording things and people is no longer exceptional.

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Clan or if you need additional informations register here!! Modus Vivendi1985. The building, which dates to 1907, is a shining example of modern industrial architecture, combining as it does a reinforced concrete skeleton and roof structure of Polonceau trusses with large-scale elements such as the symmetrical towers flanking continuato qui main section of the building. Icicle Slobber1975. Rather than a thematic concept, the forty-four works by thirty-five artists follow various content-related threads that reflect topical themes of contemporary art.

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In his apocalyptic vision, a seemingly naive concept of paradise mutates into a horror scenario in a video-game aesthetic derived from the imagery of cult artist Henry Darger. A media museum is no black box. The exhibition concept centers on sequences of individual rooms to broach a dialog between the two artists. It cloaks the existing glass façade whilst folding it towards the inside, creating bright public spaces there as. They thus reveal how the borders between fact and fiction blur, and how images become icons and find their way into our collective memory of images. Multimedia Double Canvas Thomson2009. In twin rooms, Hito Steyerl and Ryan Gander investigate the potential of their own images as material for the creation of their works.

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